Frankie Archer: ‘The folk music world is a bit of a bubble’
Artist of the Week: Eric Bogle, a man of many trades, master of song

Loft Vinyl: Alan Stivell's classic Renaissance of the Celtic Harp

Breton blood runs deep. Alan Stivell, venerated master of the Celtic harp, is widely considered an ambassador for  Brittany culture. He learnt his music from an equally passionate father.

Yet neither was born in Brittany.

Stivell’s father took his first breath in the 14th arrondissement of Paris, Alan in the Auvergne region of central France. But their Breton heritage was solid. Papa, Georges Cochevelou, was a soldier, interpreter and banker and worked as a civil servant in the French finance ministry. 

But his heart lay in Brittany and he eventually achieved a personal ambition to reconstruct a traditional harp in his father's small native Breton town of Gourin. With a concert harpist, Denise Megevand, he taught his son to play the instrument.

Alan also set about learning Celtic mythology, art and history as well as the Breton language. He added Scottish bagpipes and the Breton bombarde to his instrumental armoury and was performing at concerts by the time he was 11. He also studied British and Irish folk music, learning to play other instruments and drew on rock and other influences as he developed a distinctive style and sound of his own.


 
Stivell - 1

Stivell at the Festival de Cornouaille in Quimper, Brittany in 2016. By Jérémy Kergourlay

Stivell was 80 in January and this year has brought another milestone anniversary, the 60th since the release of his first album Telenn Geltiek in 1964. 
 

At a distance of 1,400km from my own loft, I cannot  say with certainty that I also own any of Stivell's albums in vinyl form, though it is likely that I do.

For this edition of Loft Vinyl, the rediscovery or long-playing records consigned to attics, my Salut! Live colleague Andrew Curry unearthed his old copy of Stivell's groundbreaking classic, Renaissance of the Celtic Harp.

"I bought it half price in HMV because the cover had been damaged and it had been replaced with a white sleeve, like a bootleg," says Andrew.
 
 

And what a find.

This is how one music critic, Bruce Elder, described the album:

People who hear this record are never the same again. Renaissance of the Celtic Harp, one of the most beautiful and haunting records ever made by anybody, introduced the Celtic harp to many thousands of listeners around the world. To call this music gorgeous and ravishing would be the height of understatement—indeed, there aren't words in the English language to describe this record adequately. 

The track chosen here to showcase the album, the opening piece Ys, was also singled out by Elder.

 

 

The cause of Celtic and for that matter Anglo-Saxon folk music owes a great deal to Alan Stivell. This entry to the Loft Vinyl  series is therefore important to all who share Salut! Live's enthusiasm.

 

Salut! Live Facebook group. Visit this link now 

See also: an old Song of the Day entry featured the Stivell's spine-tingling version of Bro Goz ma Zadoù whoch we know far better as the Welsh anthem Land Of My Fathers but is essentially the same as used by the Bretons and Cornish. Stivell superimposed sounds from Cardiff Arms Park of the most natural of Welsh male voice choirs, a rugby crowd, belting out the song in hope of striking fear into the hearts of whoever Wales were playing that day.

Comments

Verify your Comment

Previewing your Comment

This is only a preview. Your comment has not yet been posted.

Working...
Your comment could not be posted. Error type:
Your comment has been posted. Post another comment

The letters and numbers you entered did not match the image. Please try again.

As a final step before posting your comment, enter the letters and numbers you see in the image below. This prevents automated programs from posting comments.

Having trouble reading this image? View an alternate.

Working...

Post a comment

Your Information

(Name and email address are required. Email address will not be displayed with the comment.)