Cover Story: (55) The Parting Glass by Wisconsin women, Voice Squad, Glen Hansard - plus Dylan and Bill Jones approximately
Stuck inside the disc drive of an old Macbook, and probably destined to remain there until the laptop dies, is Bill (aka Belinda) Jones’s highly enjoyable 2019 album Wonderful Fairytale.
The closing track - where else would it be? - is So Here’s To You, a song written by the late Alan Bell, a much respected folk musician and organiser who gave Jones an early break in her career, booking her for his Fylde festival.
It is a very close relation, indeed offspring, of the renowned song of farewell, The Parting Glass, and a beautiful way to close the album.
As for The Parting Glass itself, I am taken aback by the sheer number of artists I admire who have recorded: Robin Williamson (Incredible String Band founder), Sinead O'Connor, the Pogues, Clancy Bros, Dubliners, Sarah McQuaid, Cara Dillon, Steeleye Span ... and many more, not forgetting it was also the inspiration for Dylan's Restless Farewell.
For this, the 55th instalment of my Cover Story series, I can barely scratch at the surface. But after excluding derivations such as the Bill Jones track, and Dylan's, I can say a clear personal favourite has emerged.
Check Bill Jones's website at this link
The Parting Glass appears to date from nearly 200 years before Auld Lang Syne, Scotland's most popular song, was written by Robert Burns. Although it is essentially a "one for the road" song (drink-riding laws may have been indulgent at the start of the 17th century), it can also be seen and maybe started out as a pre-death valedictory.
Part of the first stanza was contained in the farewell letter of a member of the Clan Armstrong before his execution in 1605 for the assassination of a government official, Sir John Carmichael, warden of the Scottish border territory designated as the Western March.
Others opt for Karine Polwart and Dave Milligan, still more for versions by the artists listed earlier. Even Ed Sheeran and Pierce Brosnan get mentions and one wag suggested Sinatra's My Way.
In the same discussion, a regular contributor, Jack Campin, commented: "One of the many songs I would far rather hear sung live in a real gathering by anyone however obscure than on stage or on record by anyone however eminent."
His point is well made. We cannot quite meet the test but by way of second best, here are recordings of three live performances:
Someone at Mudcat said the Voice Squad - Gerry Cullen, Phil Callery and Fran McPhail - only had to record a version for it become his favourite. Here, the trio apply their polished harmonies, accompanied by the Góilín Singers, at Christmas 1989.
Another excellent version came from the same 2014 Royal Albert Hall concert in honour of a state visit by Michael D Higgins, then Irish president, that produced the memorable communal singing of The Auld Triangle.
For the show's finale, Glen Hansard is ably assisted by Imelda May, Paul Brady, Van Morrison and others including London Irish Centre choristers and an audience dressed up to the nines.
By far my own choice, however, comes from an unlikely venue for the University of Wisconsin Eau-Claire Women's Concert Chorale.
Also from 2014, the women blew away pub-goers at Peadar O'Donnell's bar in Derry. Great location, glorious atmosphere, pints of Guinness and sheer, passionate vocal excellence.
"Good night and joy be with you all." Indeed, what a joy it must have been to be there.
But since I began with one song that is not quite The Parting Glass and therefore does not qualify for the main discussion, I will end with another.
pplIt's a treat for fans of early Bob Dylan, me among them. I raise my own parting glass for now to Restless Farewell from his 1964 album, The Times They Are A-Changin'