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July 2019

Cover Story: (41) who shines on Shine On - Pink Floyd or Christy Moore?

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CR writes: when it comes to that well-known folk group, Pink Floyd, I am in two minds.
Young, I loved lots of what they did. But these days, the track I hear on French radio almost to the exclusion of any other is Another Brick in the Wall, which I loathe for reasons I hope the National Union of Teachers would understand. RTL2 does sometimes play Dave Gilmour's Rattle That Lock, based on the four-note signature French rail users hear before platform announcements, and I am grateful that it does.
Christy Moore and I go back a long way. If you were adventurous enough and even wanted to know, you'd find plenty of evidence in this site's archive of our personal and professional relationship and my great appreciation of his music.
If he appears more often than other artists in this series, Cover Story, it is for the simple reason that he has an uncanny knack of choosing just the right song, from whatever source, for his style.
My old pal Bill Taylor explains all below as he compares versions by Floyd and Moore of the same song ...

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Cover Story: Beeswing and other great songs by different artists

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By admittedly low standards, Salut! Live's series comparing, contrasting or merely drawing attention to different versions of songs has attracted decent levels of interest. Readers have even been been moved to post comments.

It's called Cover Story and can be found here. 


When the site entered one of its "is it really worth the bother?" periods of inactivity, I wondered whether 40 was a good a number as any on which to bring the series to a close. But I think it is worthy persevering, at least until we reach the half century and possibly beyond.

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Diamonds and rust? fRoots halts publication after 40 years

The ink was barely dry, metaphorically, on the piece I wrote acclaiming the 40th anniversary edition of Ian Anderson's treasured magazine fRoots.

Stretching to 148 compelling pages, the bumper edition itself was barely half-read. And along comes this little bombshell, from Ian himself.

The jewel that has been, for four decades fRoots (if we include the last few editions of Southern Rag before the title changed, initially to Folk Roots, and the new publication was launched), has faded. "I’m so sorry to bring the news that fRoots Magazine is suspending publication," Ian's sad message begins. We knew he was in discussions over a takeover and hoped to stand down as editor; we didn't know those talks were doomed to failure.

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